Optical vs digital zoom

Whether zoom is done with lens elements (optical) or by scaling the image into fewer pixels (digital).

Standard
ISO/IEC 21118 Table 1
ISO 21118
ISO 21118 required
Screen shape
Lens
–:1
120β€³ 16:9 Β· 2.66 m wideback wall3.19–3.98 m1.32:10 m1234
Partly fitsThe lens can go anywhere from 3.19 m to 3.85 m. The rest of the zoom range would put the projector through your back wall.
Image
2.66 Γ— 1.49 m
8β€² 9β€³ Γ— 4β€² 11β€³
Lens can sit
3.19–3.98 m
10β€² 6β€³ to 13β€² 1β€³
At 3.52 m
βœ“ Fills the screen at 1.32:1
zoom range 1.20–1.50:1 (1.25Γ—)
Show the numbers
ValueMetricImperial
Image width2.66 m8β€² 9β€³
Image height1.49 m4β€² 11β€³
Nearest lens position3.19 m10β€² 6β€³
Furthest lens position3.98 m13β€² 1β€³
Room depth needed (+35 cm chassis)3.54 m11β€² 7β€³
Top-down view, to scale. A 120-inch 16:9 image is 2.66 m wide. A 1.20–1.50:1 lens must be between 3.19 m and 3.98 m from the screen. The room is 4.2 m deep.

How to compare it

Zoom type

Only optical zoom preserves resolution and brightness-per-pixel. Digital zoom counts as 'none' for placement flexibility.

Zoom ratio(Γ—)

Maximum Γ· minimum throw (or image size). Derived from the throw range when it isn't stated.

1.0Γ— is fixed. 1.1–1.3Γ— gives small adjustments. 1.6Γ— or more gives genuine placement freedom. 2.0Γ— and up is enthusiast/install class.

Standard: ISO/IEC 21118 Table 1

Focal length(mm)

The lens focal length range.

Rarely useful to buyers, but it lets us cross-check the throw ratio against chip size.

Standard: ISO/IEC 21118 Table 1

F-number

Aperture ratio at wide and tele, e.g. F1.6–2.4.

A lower F at wide means more light. A larger F rise over the zoom range means more light loss at tele.

Standard: ISO/IEC 21118 Table 1

Marketing traps

  • Zoom type: 'Zoom 50–100%' on lifestyle projectors is digital, so you're throwing away pixels.
  • Zoom ratio: Brightness is usually rated at the wide (shortest-throw) end. At full tele, a 2Γ— zoom lens can lose a noticeable share of light because the f-number rises.

Across the catalogue

Zoom ratio

9 of 24 projectors list it
Highest
  1. Epson Pro Cinema LS120002.1Γ—
  2. Sony VPL-XW7000ES2.1Γ—
  3. JVC DLA-NZ82Γ—
  4. Epson Home Cinema 23501.62Γ—
  5. BenQ W58001.6Γ—
See every projector

Focal length

7 of 24 projectors list it
Highest
  1. Epson Pro Cinema LS1200022.5–46.7 mm
  2. Epson Home Cinema 235018.2–29.2 mm
  3. BenQ W580016–25.7 mm
  4. BenQ X3100i17.02–22.21 mm
  5. Optoma UHZ5012.81–16.74 mm
See every projector

F-number

5 of 24 projectors list it
Highest
  1. BenQ W58002.1–3
  2. Epson Pro Cinema LS120002–3
  3. BenQ TK710STi2.53–2.73
  4. BenQ X3100i1.8–2.25
  5. Epson Home Cinema 23501.49–1.77
See every projector
Deep cut

Zoom type. Digital zoom also changes the effective throw ratio: a 70% digital zoom at 1.2:1 behaves like 1.71:1 with 70% of the pixels.

Zoom ratio. When the f-number range is stated (e.g. F2.0–2.8), the light loss from wide to tele scales roughly with (F_tele/F_wide)Β². Check the lens spec to see what zoom costs.

F-number. Fast lenses let in more of the Γ©tendue budget but are harder to make sharp across the field. Big all-glass lenses (e.g. JVC's 100 mm class) exist for exactly that reason.

Terms on this page

Optical zoom ratio

Max Γ· min throw ratio, e.g. 1.6Γ—. Optical zoom keeps all pixels, while digital zoom throws resolution away. βš– optics.zoom_ratio ↑, optics.zoom_type = optical | digital | none

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