Projector specs, explained
One page per spec: what it means, which numbers are comparable, the marketing traps, and how every projector in the catalogue stacks up. Built on ISO/IEC 21118, the international standard for projector specification sheets.
Display system
ISO items 2–4: the light valve, how many there are, their size and native pixel grid, and any pixel-shift trickery on top. This section sets the ceiling for sharpness, native contrast, colour artefacts and motion behaviour.
- DLP vs 3LCD vs LCoSGuide
The light-valve type that turns light into an image: - DLP: Texas Instruments DMD micromirrors. - 3LCD: three transmissive HTPS panels. - LCoS: reflective liquid crystal on silicon. - Single-panel LCD: the budget transmissive design.
- Native resolutionGuide
Physical pixels per imaging device. This is the truth behind any resolution claim.
- Pixel shift (XPR, e-shift, 4K PRO-UHD)Guide
Optically wobbling the image by a fraction of a pixel, faster than the eye can follow, to show more distinct pixel positions than the device has.
- DMD and panel size
The exact DMD or panel part, e.g. TI DLP471TP (0.47″ 4K UHD) or DLP660TE (0.66″).
- Colour wheel segments and speed
The segment layout of a single-chip DLP colour wheel, e.g. RGBRGB, RGBW, RGBCMY or RGBY.
- Screen door effect and fill factor
The share of each pixel's area that actually emits or reflects light. Gaps between pixels cause 'screen door effect' (SDE).
- Convergence and panel alignment
Whether the user can digitally nudge the R/G/B panels to correct mis-convergence, and whether per-zone.
Optics
ISO items 5, 8, 9: the lens and everything that decides where the image can physically land. For most buyers this matters more than lumens, because it decides whether the projector fits the room at all.
- Throw ratioGuide
Projection distance ÷ image width. A range when the lens zooms (e.g. 1.35–2.84:1).
- Optical vs digital zoomGuide
Whether zoom is done with lens elements (optical) or by scaling the image into fewer pixels (digital).
- Lens shiftGuide
Shift by remote/motor rather than by dials.
- Image offset
For projectors without lens shift: how far the image sits above (or below) the lens axis.
- Keystone and corner correctionGuide
Moving each corner (4-point), edge midpoints (8-point) or a full mesh (warp) to fit a screen.
- Focus, autofocus and focus uniformity
How focus is adjusted. Motorized means by remote; auto means by camera or ToF sensor.
- Lens quality and interchangeable lenses
Takes a bayonet lens system, e.g. installation projectors with short, standard and long-throw lenses.
- Lens memory and constant image height
Stored zoom/focus/shift presets. Used for constant-image-height (CIH) 2.35/2.40:1 screens without an anamorphic lens.
Light source
ISO items 6–7: what makes the photons, how long it keeps making them, and how 'life' is defined. The source sets the gamut ceiling, speckle, warm-up and running cost.
- Lamp vs LED vs laserGuide
What generates the light: - lamp: a UHP mercury lamp. - led: RGB LEDs. - laser_phosphor: blue laser exciting a yellow/green phosphor. - laser_rgb: discrete red, green and blue lasers. - hybrid: laser + LED.
- Light source lifeGuide
What 'end of life' means for the hours figure.
- Warm-up and cool-down
Brightness
ISO items 10–11. The most abused number in consumer electronics. Five incompatible units exist, and we store each one separately and never convert between them.
- ISO lumensGuide
White light output measured by the 9-point method. The screen is split into a 3×3 grid, illuminance is measured at each centre, then averaged and multiplied by image area. It's a production average, and units must reach ≥80% of it.
- ANSI lumens
The original 9-point method, standardised by ANSI. That standard is now historical/withdrawn.
- CVIA lumens
A Chinese industry-association brightness method. It's reported to need ≥80% of the labelled value, with a test CCT window of 6,000–18,000 K plus Duv limits.
- LED lumens, lux and other non-standard brightnessGuide
- Colour brightness (CLO)Guide
Full red, green and blue fields are each measured, then summed. This captures how bright *colours* are, not just white.
- Calibrated brightness and brightness by mode
Output per picture or power mode (Bright, Cinema, Eco…).
- Brightness uniformity
How evenly light falls across the image: the corner (or edge) illuminance as a share of the centre.
- Nits and foot-lamberts on screenGuide
Estimated on-screen brightness for a given lumen figure, screen size and gain.
Contrast & black level
ISO item 12 (optional). The spec that best predicts how 'cinematic' an image looks in a dark room, and also the one most inflated by dynamic tricks.
- Native contrastGuide
Full-white luminance ÷ full-black luminance, with no dynamic iris or light modulation. This is the true black-level capability of the light valve and optics.
- ANSI (checkerboard) contrastGuide
The average of the 8 white rectangles ÷ the average of the 8 black ones, on a 4×4 checkerboard. This is intra-scene contrast.
- Dynamic contrast and laser dimmingGuide
The ratio between the brightest full-white frame and the darkest full-black frame, with the iris or laser dimming active.
- Black level
The luminance of a full-black frame on a defined screen.
Colour
ISO items 13–14. Gamut percentages are meaningless without a metric (coverage or area) and a chromaticity space (xy or u′v′), so PSDS refuses to publish one without the other.
- Colour gamut (Rec.709, DCI-P3, BT.2020)Guide
How much of the HD/SDR colour space the projector reproduces.
- Gamut coverage vs areaGuide
- White point and D65
The white-point options available in the menu.
- Gamma and BT.1886
- Bit depth and banding
The colour depth of processing or display, often given as '1.07 billion colours' (10-bit).
- Filmmaker Mode
A UHD Alliance-defined mode: motion smoothing, noise reduction and sharpening off, D65, correct aspect ratio and frame rate.
Calibration & picture control
PSDS extension. What an enthusiast or calibrator can adjust, and whether the projector can hold an accurate result.
HDR
PSDS extension. No projector reaches HDR mastering luminance, so the format list matters far less than how well it tone-maps.
Motion & gaming
PSDS extension. How the projector handles time: frame-rate cadence, interpolation, latency and refresh.
- 24p and judderGuide
Whether 24 fps film is shown at an even multiple (48/72/96/120/240 Hz), or with 3:2 pulldown at 60 Hz (judder).
- Frame interpolation (MEMC)
Synthesises in-between frames to smooth motion. Better known as the 'soap opera effect'.
- Motion blur, BFI and motion resolution
Inserts dark periods between frames to reduce sample-and-hold blur.
- Input lagGuide
Measured latency, with the resolution, refresh, mode and tester recorded.
- Refresh rate, VRR and ALLM
Matches refresh to the source's frame rate to stop tearing and stutter.
Audio
ISO item 15. Built-in sound and audio routing. There is no standard for speaker watts, so treat them as marketing.
Inputs, control & connectivity
ISO items 16–19. Store features, not version numbers. 'HDMI 2.1' on its own guarantees nothing.
- HDMI ports and HDMI 2.1 featuresGuide
The number of HDMI inputs.
- USB-C, HDBaseT, SDI and other inputs
Takes video directly from laptops, tablets and phones over USB-C.
- Projector control (RS-232, LAN, PJLink, 12 V trigger)
A low-voltage output that switches on when the projector powers up, typically to drop a motorised screen or move masking.
- Wi-Fi, Bluetooth and Ethernet
Firmware / software
PSDS extension. The OS decides whether Netflix works, at what resolution, and for how long the box gets updates.
3D
PSDS extension. Fading fast but still a purchase driver for a loyal niche. Projectors are now nearly the only way to watch 3D at home.
Setup automation
PSDS extension. The camera/ToF features that made lifestyle projectors mainstream. Most of them work by digitally reshaping the image, and that has a cost.
Acoustic noise
ISO item 20 (optional). The spec reviewers complain about most and manufacturers state most vaguely.
Environment & power
ISO items 21–24. Where it can operate, what it draws, and the heat it puts into the room.
Physical & installation
Dimensions, mass, mounting and maintenance. These are the dull numbers that decide whether it fits on the shelf.
- Size and weight
Mass of the unit, as shipped without the PSU brick unless stated otherwise.
- Mounting, placement and exhaust
Hole positions and thread size for ceiling mounts (commonly M4 or M6).
- IP rating
Dust and water protection code, e.g. IP54 or IPX4.
- Dust, filters and sealed engines
Whether the light path is dust-sealed.
Safety & compliance
PSDS extension. Photobiological risk groups, laser classes and the regulatory paperwork that real products have and grey-market clones often lack.
Support & ownership
PSDS extension. Warranty, light-source cover, firmware cadence and documentation.
Measured (observed.*)
An append-only store kept separate from rated values. Every row records the tester, mode, firmware, conditions and source timestamp. The sheet shows the median and the spread next to the rated value.
Screen & room context
Not projector attributes, but the projector is only half the system. These values drive our calculators and decide whether any of the specs above mean anything in a given room.
- Screen gainGuide
How much brighter the screen is on-axis than a perfect diffuse (Lambertian) white surface.
- ALR and UST screensGuide
Screen technology.
- Ambient light and contrastGuide
The light falling on the screen from the room.
- Screen size and viewing distanceGuide
The recommended image size for a viewing distance and content type.